Editor's note: put pen to paper as War of the text, Meixiang depleted love, in the silence quietly away from the line of sight, magnificent chapter, beautiful language, will tell their feelings. Although the chill of early spring, to have Jisi spring wound in the vine. Fine wicker children swaying in the slight spring in her charming, stretch her soul-wan, a sway of her pure; standing near the water, light dew shy, but also showed off a gentle!
Brisk swallow sometimes under the blue sky has a graceful arc across, sometimes walking through the bright peach; it Right,
moncler pas cher, vigorous figure, it reluctant to accompany the sweet, that graceful whisper whisper, fans the clouds, drunk pedestrians, but also attracted the oriole's sing, cuckoo whine!
stroll the river banks, the ray of the dough feelings in March to put away the breeze, the hint of melancholy scattered in the shallow waters of the river, the glittering skim curved spring water, one hand holding the green spring grass, embrace a positive Huaichun the afterglow, the bright sparkling smile scattered in the fields, and shake off in the gorgeous peach. What kind of hypocritical and indulgence, that kind of wanton and seductive, the whole winter gloom and dark clouds cast light,
moncler homme!
Mei Xiang Yi-do, blue emerald mountains. Soft white clouds gently drifting jian. Rise amid water day matched, Asakusa and Fan Qing, peach apricot Chan Yan, pear Turui, Fragrance Ying Ying. Leisurely line, walking scene change, with the purpose of God move, especially over the pages of joy filled heart!
alone in the Willow embankment, off a Yan Liu, the plume of dark thoughts away to send you from afar. Want you falling snow days, early morning or Siyu elegant, with a Ningyi state of mind! Yan dance lightly, Ying Yin Jiaoruan. That touch of Archaeology according to the lonely shadow, silent meditation Qingwan that corner, look back at the stands when the worry of pear face, the gentle light of spring water. The wind out of date, like a graceful piece of pear in the curl of the spring in the snow was removed wandering.
Grass green light, dark raw sky. Do not look back when the affectionate care, in silence as a blooming rose brilliant, in every lonely day, warm the lost soul. Looking at your eyes in deep condensate flowing endless affection, and I can only restrain wild heart reported to have been a faint smile! Fallen flowers into the array in the season, let me make a silly bear who understand love affair! Quietly looking at you in the eyes of affection in the misty rain in the dark; quietly looking back at you Kiyotoshi of the rain falling in the lopsided, speechless! Has become a sad alternative!
vast sea of the encounter, what kind of attitude will not hurt you and I can achieve successful? Accommodating the occasional river of life, what kind of walking should I do to make you regret leaving? Not every person can stop a pass of my heart; not every one can look back on a deep feeling aroused care of the lingering in my mind; the wrong season, romance, compatibility can not only make the mind wrong end of the curtain,
doudoune pas cher!
digital no soul, then the soul behind the numbers was actually touching live! When the tone sounded in the forward, such as when the familiar voice of the ear, when the gentle and intimate greeting into the heart of the blame; it suddenly makes me know that the season has not actually been to the wind blowing short memory! Trance, you still laugh Yanru Yang, bright and clean Flow. Gazing when we know that ray of Acacia After years of reincarnation, dust lead pollution, is still soaring as wanton ivy-like, evening twilight Zhao Zhao, but each year,
polo ralph lauren, never decay.
piece of the fly get late, the rain drops worry cage clear. Misty Qing Han single interjection bar, Ying Ying Spring days into the river, temporarily playing slow music in the Parting, in particular cold hollow dream to the floor! Coldest Seiki covered with curtain, Shuxing light, spring water splash splash, cuckoo sound,
polo ralph lauren pas cher, Resentment pathetic. At this point, I looked at the sky in a semicircle on children, the sky filled with thoughts of glass. Greedy, the quiet sky like a turquoise gem, the endless, eye-catching bright. Like you, will certainly so in the quiet as I stood under the canopy into a beautiful landscape! A silent state of mind will be filled to miss.
put pen to paper as martyrs, sign off is no different. Do not, the only deep feelings and your thoughts in silence, turned me into a curl Fei Xu, precipitation in March Spring in a dream ... ...
network, and you are earnest in the network outside of my watch! Dreams such as network, so I want you to stay in the network and I accompanied all day, but each year ... ...相关的主题文章：
hard run The garden
she wants to rub the body to the cow dung
Should we never meet
Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."
magnificent chapter
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