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Old 09-05-2011, 09:55 AM   #1
simonjohn
 
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Sitting in the office, some of the very few idle silence. Cold room, as if thinking fell into hibernation. Would like to seize the occasional flash of inspiration, Yizheng God Kung Fu, they are mortal disappear. I think the changes with the seasons, I enter the idle state of the. Biluochun

cup, holding the cup, warm start, smelling the scent of rising with the heat wave, some cluttered thoughts in my mind gradually clear. Have been like to drink Biluochun,moncler, although this season is Chen Biluochun tea, egg on my friends a few times a change of taste, taste Dahongpao,abercrombie and fitch paris, or Iron Goddess of Mercy, and I, has repeatedly rejected. I was like this, like what does not change so easily.

Biluochun like to use a glass bubble, you can see the curling billow in the cup of tea, stretch, rise, fall in the process. Like across the cup, looked green clear soup, so to drop the color green, it could not resist tempting tenderness, gently sip,abercrombie and fitch france, a ray of light fragrance Qinru Heart, not help us feel comfortable. View of its shape, drink its taste, slowly meditation, mellow tea fragrance lingering, palate, urge sympathy knew it is fluid, intoxicated.

know this open tea friends, was an accident outside the harvest. That year, his pregnant wife to hospital to do B-, I follow the routine scan for her fetus, as usual, made a report, supposedly, had no connection to it. To behold, he suddenly took out 200 yuan, so I stole a look at the fetus is male or female. I flatly refused, but he did not give up lobbying, I black face, clear to him that this is illegal identification of fetal ######, we should bear legal responsibility! I am a small woman, very timid, not for personal gain, regardless of legal sanction, say, whether boys and girls are born, this is a gift of God, how can Delongwangshu?

broke up, I soon forgot about it. Over a long period of time, one day, and colleagues visiting the tea market, into an elegant tea room, the boss greeted with great surprise and shouted my name, I am a little surprised that he mentioned that back, I realized. He told me that his wife had safely given birth to a girl, a beautiful little girl elf, now called the father will be babbling! I smiled and congratulated him, and he was joking: laughed. Zhuang Panhuan day long in his tea, a good talk, he is very self-cultivation,polo ralph lauren homme, to talk to us a lot of tea culture, and teach us some tea and skills, respectively, we seems to have become friends.

In fact, he still occupies a lot cheaper. That day, I like to drink Biluochun accidentally mention that he recorded in the heart, each spring, he would call just to taste the new tea, buy tea from him every time he gave me the lowest cost. I always know that debt of gratitude is difficult also. I do not want to owe him favors can be a lot of friendship, not money, can measure, our contacts, try not to disputes involving money, I buy tea, pay him the cost price, he occasionally go to the hospital examination, but also as business-like, do not give me any trouble. So with a touch of exchanges, there is no burden, no disputes, like a glass bubble Biluochun open, clear, delicate fragrance.

my work, it is idle. Office, is standing Biluochun, a person's space,abercrombie & fitch, very lonely, very lonely. Cup Biluochun, a curl of steam will warm the heart, warm the cold lonely.

people in this life will always encounter some to make himself worthy of his touch or treasure, or something. In the cold season, a cup of tea, the heat rising in the curl, slowly awakening dusty memories, so some numbness of the heart, gently, gently touch a ray of warmth.相关的主题文章:


SMS Women's Day greetings and blessings Daquan

全球航空业经营困难 法国航展空客波音成绩奇差

you embrace with


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."
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