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year after that by the time the minutes and seconds and took away, and what I harvest it? Seems to have or not. To make sense of their own hair into. -
Worry about light - feel Diaries 2009-10-24
quietly, gently listening to their emotions. Actually not that terrible and complicated, perhaps we too would like to deepen them, the concept is too valuable and too self-bias of the bar! -
looked out the window the bright sun,abercrombie paris, know that today is a good day, can be air-conditioned this year seems to have come here, and it should be said here this year, had a cold did not turn to winter warmth the. An hour to work so to finish up, because I do not like to write these sad, deep feeling something, but sometimes can not help but there are always some strange idea, so when the vent or encourage each other, or maybe a Enjoy, enjoy other people can not be married to one mood or the mood. -
相关的主题文章：
Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."
Оглядевшись по сторонам, я с удивлением заметила, что столовая опустела. Когда я с Эдвардом, я начисто теряю счет времени. Я тут же вскочила на ноги.С др стороны, если бы мужчина мне сначала отказал, а потом бы продолжил дружеское общение и флирт, то я бы имела все основания предполагать,, что отказ-таки формальный. А через некоторое время- что вы водите меня за нос и вообще не оч хороший человек. Лучше прекратить общение, если вам не плевать на девушку, пусть ищет того, кто с ней готов не только флиртовать.НОВОСТИ. Крупнейшее и старшейшее гей-издательство Алисон Публикейшн, совместно с литературной гей-премией Лямба, объявило финалистов конкурса, проведенного в рамках своего ######shop ua, фаллоимитатор в ульяновск, модели нижнего белья, сексшоп в челябинск, интим магазины екатеринбурга, купить страпон в тула
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but also benefit.
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