2007 and 2008 Germany were 3.0%

example,abercrombie paris, on the one hand, to larger, increasing demand, a whole society and the media attention a news focus. For example, in November 2006, Alsace - Lorraine holiday and Sunday opening of stores has triggered a great discussion of Internet users nationwide.

Nevertheless, a critical moment in the financial crisis,abercrombie & fitch, the French, after all, the final completion of this legislative reform, the French one-fifth of the population no longer have to shop for Sunday and not worry about the water and soil,doudoune moncler pas cher, Ma Mr. Lie was very pleased with this. In fact, the Malik after the passage of this proposal,
First, the financial crisis has prompted several major large French trade union attitude has shifted. Although words such as union In March 2009, may the union members on the 1018 poll when 58 percent of respondents also believe that Sunday is not possible to work to create jobs.
but on the other hand, the French were still without the move, its own way, prefer at home,moncler pas cher, do not work; prefer leisure, not to make money, even the arrival of the financial crisis did not improve the French people. Sunday opening of For example, the 2008 financial crisis began to impact the real economy of France, the French labor force aged 55-64 the rate is only 38.3% in March 2009 the French business sector lost 375,000 jobs in June, the labor supply of the whole law down 14.9 %, while the demand for labor increased by only 4.6%. With the fourth quarter of 2008 compared to first quarter of 2009 the French For another example, a June 2006 poll, 75 percent said they do not want to work on Sundays, December 7, 2007 this figure dropped to 53%, 2 December, 2008 investigation of up to 64%, July 7, 2009 rose again to 75% level. In January 2008 the network has an article titled 2006-2009 The poll showed that the financial crisis has not prompted the French to go out or work on Sundays, or shopping. June 16, 2009 ifo survey of 1019 people conducted a survey on the
French people as consumers and producers of psychological dislocation, the public and the government's thinking gap, not only the work of legislative reform in France on Sunday to become a First, all regions and industry deregulation are France has 4 million or more urban population, 9.64 million of Paris, Marseille area 1.35 million, 1.34 million of Lyon, Lille 1 million. Originally, originally intended to have these four cities designated as
There is no doubt that the financial crisis helped Malik a busy, working on Sunday a legislative push in the achievement of the objective of legislative reform. This was reflected in the changing attitude of trade unions and the government's commitment to both.
In addition, the legislation on Sunday working in the financial crisis, the Employers 'Federation played a larger role in supporting the store opened Sunday, increasing employers' organizations. For example, the Located in the heart of Paris was officially classified as



Thirdly, since 2002, Malik motion, the French experienced a seven-year marathon legislative process, the reform of the EU's longest country.
compared with other EU countries, France can only be caught up with a tail. As we all know, the French welfare system and the French long-standing social and cultural interaction, leading to the formation of a given situation: cultural traditions to promote the force of habit, so that the French welfare system into a cultural tradition and habit along the variables, the evolution of the welfare system, in turn, solidified the unique benefits of the French cultural characteristics, the latter further lead to social dislocation of people's psychology, the psychological dislocation and policy makers a sharp contrast between the government has always been Reform advocates, and people are increasingly becoming the opponents of reform, the reform agenda of successive governments have resolutely resisted by the community, resulting in a serious confrontation between society and government, and even lead to social unrest and social turmoil. Sunday work in the legislative process also encountered a similar cycle.



Secondly, the French on Sunday leave the sanctity of After seven years of lobbying Malik, 282 votes in favor, but there are still 238 votes against; in July 23, 2009 the Senate to consider it when it has been argued to the next morning,moncler femme, the final vote was 165 votes in agreement 159 votes against, with only six votes of the poor.

Finally, the world economic crisis, the French Government to promote the work on Sundays legislation to strengthen their resolve, especially in the October 2008 financial crisis on the real economy begins to significantly impact the time, the French government will open Sunday gradually as to withstand the financial crisis, a social policy. Back in October 2008, the French Secretary of State responsible for Consumer Affairs 吕克夏泰尔 announced that the French Government intends to amend the French financial crisis as early as the spring of 2008 have been revealed for the first quarter growth was only 0.4% in the second quarter fell to -0.4% in the third quarter to -0.2%, -1.5% in the fourth quarter, become the lowest point in recent years in France; first quarter of 2009 was slightly better, but it is also -1.2%. In recent years, the French economy has always been one of the worst performing EU countries, GDP growth in 2006, 2007 and 2008 were 2.2%, 2.2% and 0.4%, lower than Germany and the euro area, 2006, 2007 and 2008 Germany were 3.0%, 2.5% and 1.3%, the euro zone was 2.9%, 2.7% and 0.8%.
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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."