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Songzhuang group of artists who mingled among planters, the farmers of the house they live, and their neighbors get forward, occasionally, and they commute a few words, here they share the sun, earth, climate, enjoy the unrestrained here habits, chaotic rhythm, numbness of the exercise and way of excretion of open defecation. They also advocate every other in the image: messy cilia, bald Cheng Liang, La Lila mixed beard and khaki cloth jeans. And farmers, they also like the outdoor life,Tods loafers, they like stopping, chatting, mob. Like to put a square chart in the yard. They seldom rue the period silently worked, basically do not follow the daytime and night heaven-like law. If they organized a lax, anarchic, spontaneous. They do not appear like TV, not like weeklies, they are only verbal messages of giant interest, they like to ask approximately, like distribution made, a variety of news scatter like wildfire between them, they every can be hid from the eyes of others They are acquaintances, know each other's base line, so no one can use the chamber as if to deliberately get. There is no shortage of friendship, but solid and muscular friendships are rare, they of lesson there are disputes, but it definitely is not no cause for the brutal hostility. All the collective asset distinctions also exist here, there is no shortage of them in front of these dogs are constantly given the medley of cunning and peasant-style prestige abuses. In dealing with outsiders, they are always self-satisfied references to All of these, all of which the identity of the farmers, in the end average? And farmers a living, as far as likely contamination of some farmers of their own so that they adjust to the variety of clay to create up in the style of living, this is not the way these artists, the avant-garde? Avant-garde is not the degradation to farmers? To the degradation of agricultural? We have to as a way of life behind the degradation? If the artist is always scared some of the most sensitive, while the avant-garde is always the first prophecy of a coming epoch of air, then we will say, Songzhuang of these artists are not in their way - to one kind of paradoxical way - writing a utopian future plans?
these artists get down to? Why did they choose this collective life and can be fast integrated into 1?
If that is the traditional laborer countryside mobilized kinship-based, then, that the aggregation of the artist's village with not doubt is the label of art. Art is the basis of their blood, is the affinity lies. These artists have one Academy of Fine Arts (school) of the common lineage, maximum of them have had way to a citizen vocation, they have reiterated dealings above the job, but they still can not freely control, and ultimately, the career has chance their prison, they chose to quit. Battles, float, scamper around, numerous people have been sweating, and nap in together, want to be disappointed repeatedly washed, behind a moment of happiness is infinite bitterness. It is these people (even people who are now successful) in the backdrop. The background itself is ample to constitute a poem, constitute art. Life as a work of art. Why have to art as object? Production of art as one artist is a delicate and intricate chronicle works? Life as an art, it likewise needs to establish, you need not do so as a extravaganza art pieces, a moment, an accident sparkling light, should the whole life - including its capillaries - the same as the screenplay played, it ought make life the potentiality of infinitely open. Life is nor as objects of art, nor is the intention of art as life is art in itself, it is only based aboard their own because the purpose. Life itself have become art, and art is that it, like a fictional, is that it's dangerous, bet, unusual, is that it's anti-logic of the abrupt blind confusion, is that it limits the experience that dangerous. Life and art should not be remedied as two regions, and do not deem that art is life, penetrating forgery, should be confident that every shred of life can be woven into art. Do not say Should be alive into an art, the art of life, bit by bit into the details, the pace of life into the statutes of aesthetics should be living as a empty txt, deliberately applied in the above, jot, ride. Do not live like the bourgeoisie, as ambition become purified, not of art as life, decorations, condiments, and clothes, not to the alive room ambition become the art of hanging a few paintings, it should make life adventure, make it to rupture and the brink of breakdown, so get rid of always the logic of life, let it dancing, make up a fictional life.
for city people, Songzhuang artist's life is fiction. Their own personal background is fictional, but they are now inhabited by the collective fantastic. This mythical life and strive to get rid of the stiff precepts of modernity, and to the agricultural mores in that quietly before the return.
In some, the incipient agricultural way of life, particularly in its rhythm, is not completely revived, but gained a new life. No one anticipated the agricultural community behind to that intact, behind to privation, deprivation and endless labor,tods mens boots, no one really compliant to totally devastate technology, destroying all aspects of modernity. Nietzsche was first sent to the curse of modernity, modernity led to a sequence of split: split into individual groups of agreeable indifference; split into interior spiritual unity of estrangement, and split into two intimate ecology of the confrontation, modernity and capitalism, a system for people to interlace the cages in which people are operated, coding, he can only wish to skirmish. Nietzsche smell this atmosphere, in order to vanquish this split, in order to harmony, peace and consensus re Zairu people, Nietzsche preferred to return to the aboriginal style of singing of Dionysus, back to the dinners, back Bacchus, back to the Greek carnival. German romanticism of the final magnificent Heidegger, he wants people to like him into the deep forests, toward the world adore. Both Nietzsche, alternatively Heidegger, are trying to use aesthetics as a modern refuge in them, only verse can resist the system. Family home, a myth or poetry. Heidegger pinned his hopes on artists and poets, they are nativity will be able to dance, you can break the steel cage of modernity, it is their destiny, but also their peerless endowments.
Songzhuang these artists chose to village and its rhythms, which is the poet's destiny echoes it? Here, they created a style of living, they left the city, get rid of work, abandoned the system, the buildings, machinery, bureaucracy, class behind us, they are neither machine accessories, not cages in birds. This is such a lifestyle: leisure and freedom to dominate anything in the breach between leisure and leisure, there are some short-term labor, some of the art product, there are many difficult to appliance the plan, plan, plan. Labor is their reality, endless debate of the program is their reality. They sleep in roomy daylight, but another and again to the black night into day. They live in villages, but taking advantage of the sunset prowl into the city. They and the whole city wheels reverse the line, a lot of alcohol, a puny silver, one or two shape girl, misty bar light, which is often their night scenery. There are not deserting, but laughter Lang Lang. We are convinced that they are out of the modern mode of creation and lifestyle, but we base - it is preordained frustrating, but it is sufficient to trample a great many idealistic beliefs - they could not escape the rule of capital. What to do to get rid of the curse of capital? Capital swallowed everything, including Songzhuang art making. I have had one or two Songzhuang trip, I left moved the artist's yard - where the calm, quiet and cozy to impact me. However, I know, cruel leisure sneaking below the market, it is driven by a private struggle, and it is wronged, sense of detriment, frustration and anxiety. All of these quietly tore the idyllic calm here. Rules of the mart, which is free to modernity does not destroy the evil forces, whatsoever, even though their production to follow this rule, but their production is still one of the modern quondam, this is not the size of the system of production, and small farmers, artisan-style way. In this era, no longer than those who are non-country artists like the master, and a human to linger open, some easy but slightly old studio, his figure trance and slow, and sometimes upper bodies bent bowed, sometimes weeping sometimes caught in meditation, and sometimes follow the orders of instinct, sometimes focused and detailed, and sometimes is freely applied, this is a person's labor is the labor out of the machine, the hands and limbs of straight labor, these works are residues of the body signs and body radiate,tods online shop, residues of Benjamin-type atmosphere, remnants of the era of speed,tods uk online, rhythm, atmosphere.
However, human always called these goes of avant-garde art, those understood as avant-garde talents trance figure.






















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