so I had a sudden break into a quiet life.

hour and twenty minutes later, she was gone.
woke up, a ray of sunlight, glare.

Who is? wake up it !!!to wake up extremely chaotic, confused just about to be baked like a duck, why not say that,moncler! Like it.
2004 年 11 月 24 日


twenty minutes, she came.

and she has been on my side ... ...



- you know? This life to meet you, owe you a lifetime ago, is God now! ~ ~ Let me love you, just letting you go ~ ~ every time I hear all kinds of street front stores that plaintive song always makes me feel inexplicably sad, bleak and beautiful that I love vision turned away,

lucky and in my case, God's blessing to be touched me, just this is a Gemini with the stubborn girl, so I had a sudden break into a quiet life.
wake up.
accidentally pulls out her sophomore written diary.
four years later, I tried to forget, try to pretend, pretend in this city without her, I still can not calm her face all the ~~~

!
P> / P>

Forget - feel Diaries 2008-3-15


life this is boring, is not it? ? ?
Immersed in the artificial illusion of tragic love, the phone rang.
nothing else, shopping for me may be a wise choice, though full of silly little like a woman, but still self-sufficient from the music!
Excited? No,abercrombie & fitch, bland, even a little boring!
I am the lucky, lucky in her lovely appearance, the girl-specific Zhilaizhiwang, used to seeing their delicate feet and contrived, and her frank not feel startled me!



sitting beside the computer, not feel like laughing, smiling her cute, she's frank hearty laugh, and suddenly feel very lucky.


This is perhaps the fate of my punishment now, once ground into the inner feelings of the final endless suffering.


once so familiar feeling so sudden welling up again.



2008 年 04 月 27 日
no warning, no worries, and I no longer applicable to dream, no longer looking for.
ray of sunshine, still dazzling.
single word,doudoune moncler, so familiar, as if holding her hand yesterday walking in the stone of the great meta-Lake, gently patting her head and said ~ noisy crowd, the evening's blend of warm air blowing Lake, English village green trees covered bluestone bench ... ...
life may be better to go home,Christian Louboutin pas cher, I think. Followed different thought, sunset wasteland, the two warriors,Christian Louboutin, leaping after a twist, look to the West down loser, shed blood along the tip. Dim ray of sunlight in the Ridge, a kind of heroic sculptures awesome ~ ~
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thought here, and my heart happy, no reason, perhaps because of her? Maybe, just maybe it.
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childhood this is the kind of insensibly

Hold about you - feel Diary - Article Reading Network _5128

秋虫在呢喃


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."