Editor's Note

Editor's Note: In this paper, the identity of a teacher and parents and kids sections and talk about truth profound, showing its good intentions, I hope the kids can be more understanding of parents, to understand the teacher, the teacher and parents strive to cultivate the next , free flight! Only article to be addressed in the structure,chaussure louboutin pas cher, content to enrich some, will be better! That had nothing to say, the students speech sentence evoked stagnation heart full of words. Then use more and more, getting more and more important, tell is to whom, but also tell of the capacity to say, only know that had a stirring, a few months to accumulate all at once the heart of the pine dumping out, depression, anxiety, even despair, and finally no longer hide the parcels, but also let you take a look at our wound. Who never gave up hurt. Children, you have self-esteem,polo ralph lauren, I have always been careful not to hurt your fragile self-esteem,louboutin pas cher, but who noticed that we have self-esteem, and dignity, our dignity to be crushed ruthlessly you.
over the phone with carefully inquired with great expectations, have repeatedly asked, I seem to see over the phone anxious eyes, in a desire to do so results; like to see end of the line was hurt heart in the blood. I too can appreciate this pain,abercrombie paris, and put down the phone is always staring blankly out the window a long, long time can not erase the emotional loss. Each received a phone call feel is a mental torture. I know that more parents do not dare to call this number, carries a no hope, self-deception.
children, take a look at our experience after the gaunt weathered face, a look at our toil hastily rushing figure, realistic, vulgar, chatter ... We also had youth, and there have been a beautiful dream, and I want to pursue poetic life,abercrombie and fitch, but can not be! We meet on the reality, vision for the future written on his face, did they reveal the pain and the pain a little. No matter how fragile heart, but also strong enough to stand before you as a tall tree, for your shelter, brought comfort to cool. If you walked into our hearts, they will not feel how sad!
We can not afford to buy a shelter for your house, there is no ability for you to arrange a comfortable working, and only hope that you will through their own efforts and struggle, after eighteen years and people's children can sit together and drink coffee, we also know that after a struggle and people not be able to sit with a cup of coffee, but not hard on the hopeless, natural selection, survival of the fittest, do not move forward is backward, not fighting is the destruction!
We all live very humble, you do not only desire is as humble as we live. We do all of the power of fertilizer to cultivate your growth. What I hope you grow into towering trees, not afraid of the wind and rain; how strong I hope you grow wings and fly, but also to the storm to try again.
children, we hope and pray with your fly!相关的主题文章：


To my dreams - I wrote in the distant classroom diseases friends

the day he left

100句很现实很有哲理的话


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."