quarter full

Some love, will not come again missed; some margin, can not wait to miss a lifetime. Buddha said: Bana, open the other side, open a thousand flowers, drop a thousand leaves, flowers and leaves, life after life without each other.
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met and he meets that year, when she was his eighth. In girlfriends brother's wedding, people call that handsome handsome boy called sea, and she only knew, do not ask, do not have the eye to see, because it is an extremely shy of the age, until the end of the wedding, she did not have the nerve to carefully seen him. If the beginning of many stories, that was to have her attend the wedding with him, and finally in each other's life foreshadowed.
Soon after, he went to her home with her youngest brother just made a friend, so he can see her logical. I remember it was a snow
First Clearing in the morning, the warm sun as a large snow covered with a thin gold yarn for a house. Attack and she loves snow to the snow outside the home, the laborious digging in the frozen pond on a Bingku. Silly, she thought, so, hiding under the ice the fish would not have oxygen. When she was finished they looked up Qiao Xiao sweet's, just with his eyes leisurely bumped. I do not know what time the sea came to silence the pond, and he alone is the quiet silent watching every move of her ring. Pair of eyes looked focused, and she immediately dropped the eye shy, blushing pink goes face increasingly low down low down.
the sea in her impression was a handsome boy, but she never dared with his eye contact. Because of that moment, she read in his eyes, a strange affair. Perhaps, it is only sensitive to her and she to him, the girl remains unique reserved. After a long silence, the sea to help her to smile a big icicles moved back home to put a sunny place, and then they were watching the exquisite piece of ice, burning cooking in the sun to melt under the gorgeous.
pure as promised, is the life of flowers that season, unresolved emotional problems, but it is in that chamber, as always, he was to her feelings.
time, the green and although he secretly liked back in her mind, but was embarrassed expression. And this silence, but not wanted to miss the flowers. When he again went to her home, the girl he loved his own life already entrusted to the old kind of pro-life policy to enrich ... ...
a love for it, because without his confession, she nothing. Xu is a sad witnessed the sea, and later, her older sister told her year-old, girl, boy, that called the sea was like a deep soul to you. Thereafter, the sea and then figure in her life did not appear. Over the years, whenever or combed back in the silence of the past are intertwined, the year my sister said to recall those words, she can not help but read in the hearts of broken pieces of these years, he flies right?
Time flies, blink of an eye over the past ten years, over the years, as fit, successful career, he has been in constant search for her. That afternoon, sunset, girlfriends on the phone told her: to a different kind of warmth. Later understatement to say that honey seems to ask around the sea has been your brother's phone,moncler pas cher, you have to facilitate it, tell your brother look good? He has to find your little brother for many years.
That night, he found his little brother with him, three people,abercrombie, three bottles of wine. When he drank the Ming Ding, and finally for the first time dialed his home phone. Phone, he murmured: . Ten years later, she was with him across the distance, across time and space, across the network cable in each other's voice once again. All this, like yesterday, but suddenly if the dream.
a decade ago, inadvertently, she missed the flowers he missed the most beautiful encounter in life, and such mistakes are built into the regret of his life. The beautiful season, quarter full, only to cry in the dark a long long medium sigh. Person's life, how many things will be missing from your life? Always thought that the story is the mountain of water, the sea is a fan of the story, the story of the cloud is the day, and after the sails had to do, and who don wide-end, for whom she does not regret? Who drops of blood and tears who throw red beans Acacia different?
many beautiful dream, everything is only in outer clutch,abercrombie and fitch paris!
person's life, and how many years to squander. In our broad array of memory,abercrombie paris, perhaps, reach for the wine, drink the tears,abercrombie and fitch, wandering around the heart, hard to get out of, but a lover's eyes! By this time, she was injured only to paved sun wan side of the pad, curved coldest month dipped to falling clouds of the pen, turn in a season of flowers, with the 10-year dawns , in the distance, in the icy, one-way across mountains, across a range of water, a long time, a long time to bless him ... ...相关的主题文章：


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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."