to his daughter what he does not rather

A friend said they broke up, listening does not matter to me she said there is opportunity, there is always sour heart, after all, come to the end of another pair of lovers, have pity for them. Perhaps the young is so tied to and regret be called perfect.

I know her heart will still hurt, two people from the beginning to now even more than me and him go far,abercrombie & fitch, how did that points to points, and still keep smiling Taibu Zhao ago ,abercrombie and fitch france, said it does not matter pretending to be free and easy tone, her class again next day, in fact, a place I know called her to escape. If she is in front of me, I think I will not hesitate to give her a big hug, and finally give her a smile, no big deal, after the road is still long! And she took classes, however, where absolutely no difference, although she said it first broke up ... ...

become nostalgic when thinking of changing broken heart, stop saying the perfect love, true love will always be less perfect love, there is much more sad.

heard a lot of junior started school the couple broke up quietly, watching a single film alone the people who had more than two people laughing sweet. I started to doubt the university of love, you and I can go far? Way we in the end how much, how many ups and downs? We are still young, may be an unhappy one is not suitable for you can you go without me to do my intervention, but how love is so fragile? We will not suitable for young love, always love a frivolous is unnecessary, hurt yourself hurt the man. We are next door to the school

Feng Xiao, I heard so much noise all the swine flu, all panic, what to do. Some people just do not go out of the dorm house,doudoune moncler, as much as possible to reduce air-borne, some even exaggerated, direct leave home ... ... there is not that terrible? But sometimes in my case is a pandemic flu, every year, but this year, more in particular. Hard to say, ah, because this November might not travel. XI so long holidays at home if the nest will not be too uncomfortable?

particularly today's blue sky, suddenly see the line of flight fighter mind was wondering children, who told us it near Beijing, the air acting really is spectacular ... ... China has birthday, and speaking my birthday is coming soon, Grandpa's birthday is near. Suddenly want to go home to see my grandparents, I think of two down-and-hobble the walk back left of his generation, grandparents old, very old, very old, old, I could not bear to leave them. Young people always have a lot of time wandering back and forth, old people sitting at home watching a new TV set to listen to the radio, they are still children who do not see the shadow. Unfortunately, life has many many of these are considered ... ...

heard a friend saying that something had to Kaoyan junior college diploma was not much noise, loss of his or Tsinghua students, in a later test Kaoyan on the Shanghai Finance, be apply what they learn it? Start your own business, do not know be considered successful, but still good. But the relationship is very stiff and Dad, who is diametrically opposed to ... ... sometimes family is not hard to fathom, like the son my father always loved, but why could make me give him a daughter,polo ralph lauren homme, to his daughter what he does not rather, I said I think he said he could not pay Kaoyan do not want to say, the young is young, a lot of things can not own, there are not good grasp of many things, not good co-existence. Such as family,doudoune, such as love ... ...

know how to think I mind it? I just want to think about simple people who think love can last the better; think of displaced people at home can be a little more time to take snapshots; thinking about rebellious kids who love their parents can be more certain; think those Xin Xin students can apply their knowledge to find good jobs are a good home, thinking my friends can be happy ... ... that is all.相关的主题文章：


纽市14日英镑兑美元冲高回落

矿业巨头力拓公司将全球裁员1.4万人

In many cases, love is buried in the bottom of my heart


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."