but the challenge put in front of her a lot

Bartz, University of Wisconsin in the United States BS in computer science,moncler, is an experienced senior managers. 1992 to 2006, she has served as CEO of software company Autodesk for 14 years,louboutin, large high-tech companies in the United States one of the few female CEOs. In addition, she also served as Intel, Cisco and other well-known IT company board members.


Jerry Yang as his successor for Bartz welcome, said she was the ideal person to lead Yahoo forward. Yang said he would return to their own
company's poor performance so that Jerry Yang is facing tremendous pressure, Yahoo shareholders, he also made many complaints. Jerry Yang this announcement in mid-November last year,ralph lauren pas cher, will resign from the Chief Executive Officer. Since then, Yahoo has been looking for his successor.
According to local media reports, many people are waiting to see Bartz took office, it will be Yahoo's search business to Microsoft, to allow shareholders to see the benefits in the short term. Microsoft CEO Steve - Ballmer recently received the


early last year, Microsoft proposed buying the program to Yahoo, but Yang was rejected. Yahoo and Google also due to the desire for cooperation against the U.S. Justice Department thwarted. Successive blow to Yahoo's stock dropped sharply. According to statistics, since the Microsoft acquisition of Yahoo's stock had fallen 60 percent since the planned abortion.
Xinhua San Francisco Jan. 13 (Xinhua Jizhemaolei) Yahoo U.S. 13 officially announced that it has selected 60-year-old women, Carol - Bartz succeed Yang as CEO. A period of nearly two months, Yahoo's

some analysts here believe that although Bartz hard-line style in the industry to other well-known, but the challenge put in front of her a lot,abercrombie and fitch paris, including reversing the decline in Yahoo's weak stock price performance and, should come from Google, etc. competition, and whether Yahoo's search business to Microsoft and other major decisions.
Yahoo said in a press release,moncler pas cher, an effective Bartz's appointment immediately. Press release specifically mentioned, served as Autodesk CEO, Bartz success of the company's revenues increased from less than $ 300 million to over $ 1.5 billion, and the company shares rose nearly 10 times.
Yahoo's Jerry Yang also spoke highly of the outgoing evaluation. Yahoo Chairman Roy - Bostock said Yahoo's Jerry Yang on the passion, unique vision and idol-like status in the industry, the company's future will remain an invaluable resource.
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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."