Marc Jacobs Doesn’t Bother Trying to Say No to a Vogue Request
He tells WSJ. for their forthcoming epic-looking cover story about editor Anna Wintour’s power: “If I get a request for something, there aren’t two possible answers.
Marc Jacobs Handbags First I get an e-mail, then a phone call from someone at Vogue, and now I don’t even bother to say no — I know the next call is from her.” WSJ. editor Deborah Needleman has said of Wintour’s answer to save fashion in the recession, the giant shopping party t
hat is Fashion’s Night Out: “She basically created a holiday from scratch. Who else has the power to take New York and create a holiday?” Wait, FNO is a holiday?It’s time to look at the clothes. The models wore shiny, heavy boots with minimal makeup and super-sleek,
ICE T-Shirt, straight ponytails. ###### (or ###### clothes) is obviously on Jacobs’s brain, at least according to his shoes: cordovan ###### brogue, snuff suede snow boot, and snuff suede galosh. Jacobs played with fabrics — he made rubber look like sequins, sequins look like fur, and so forth. The clothes were body-conscious and ladylike (most of the pencil skirts went well past the knees) but retained the twisted glamour we’ve come to expect from Jacobs. Everything was tight and stiff, a far cry from last season’s loose and flowing dresses.
Marc Jacobs is releasing a
capsule collection of fragrances next month, the Splash Cocktail Collection. The three scents are cranberry, ginger, and cura?ao. There are a few components vital to a Marc Jacobs show that everyone likes to analyze intently. First is the set. Designed by Stefan Beckman, this season’s looked like a French boudoir, with padded columns lit pink, mirrored floors, and violin music in the background. When the show began, the columns turned a bright and shiny white.
Handbags Wholesale This year’s front-row set included Martha Stewart; Josh Duhamel and his wife, Fergie; Leighton Meester; and one of the designer’s muses and best friends, Sofia Coppola (who looked amazing in a maroon, short-sleeve knit sweater, slim black pants, and the
Louis Vuitton shoes she designed herself in a collaboration with Jacobs). It was not the usual big parade of stars, but Jacobs was competing with the Grammys and the BAFTAs. Then there is the music: Marilyn Manson’s “The Beautiful People” blared on repeat as the models stomped down the runway and Josh Duhamel bobbed his head and sang along enthusiastically.
The Lexington Avenue Armory is bathed in a roseate glow, the structural columns are draped in quilted, buttoned ivory fabric worthy of a fifties boudoir, and there are red velvet programs on the seats. All of which lead you to believe that Marc Jacobs is about to offer a sort of mid-century pink-poodle version of fashion.
This Marc Jacobs woman, like many before her, is not ######y in an obvious or vulgar way; her clothes are tight, but they don’t reveal much skin.
Gucci Handbags It’ll take time to process this show, but we’re already dreaming about owning wide-legged polka-dot trousers made from thick, heavy navy wool, and amazing peplum jackets.But after twenty or so outfits, the strict tailoring — tailleurs that rely on a surfeit of plastic and polyester; accessories that appear to be made from the hide of a Dalmatian whose spots have grown too large — you begin to maybe like it a little better. Which is part of Marc’s gift — and what makes all really good designers interesting: They can turn your assumptions upside down, and you walk away not knowing exactly what you think — is this pretty ugly, or jolie laide?