On the modern Western painting's decorative beauty

On the modern Western painting's decorative beauty
Oil painting as a crystallization of ideas and technology, with the entity, and is the main
The concept of physical and chemical form, is the perfect combination of material and spiritual, modernist painting .Art is a product of the collision of material and spiritual, is the externalization of the artist's inner feelings, The artist to achieve spiritual world through the physical presence of traces of long-lasting; and decoration for An innate human nature, its unique style and aesthetic conditions
Interest continues today as an aesthetic style. Art Deco is the natural images of Landscaping, through a number of arts activities to the human form of aesthetic ideals and aesthetic Like the process, as a genre, it is deep-seated sense of order, rhythm Sense, the overall sense of purpose, the aesthetic ideas in harmony with the aesthetic process of behavior, And to the aesthetic requirements through a variety of performance skills, performance measures make it ideal Of ways.
Modern Western painting and decorative arts of the inseparable relationship, it is more
Tend to abandon the subject matter, the decision to deny the role of the contents of the form, that art
Can not rely on the contents of the form with independent values, and explore the pure form of
United States; can also say that modern Western painting art is a revolution, and the targets of the revolution
Is the routinization of traditional oil painting. Modern Western painting decorative beauty, the main
To be reflected in the screen composition, shape, color, form four, and composition
Role as master of contemporary decorative painting Mr. Zhang Guangyu said: "composition
Is the steel, cement color, composition is the art of the skeleton, the success of the work and
Failure plays a decisive role. "For the modern Western painting decorative beauty, we
First, from the composition about:
First, the composition of modern Western painting decorative beauty
The late 19th and early 20th century Europe, the surging tide of modern painting, Fauvism, Expressionism, Cubism race by principal, the school's first visual stimulus is a sense of its form, and form mainly through the sense of an ancient topic - "composition" generated. Composition, broadly speaking, refers to the image or symbol of the space occupied by the situation, so should include all three-dimensional and flat shape. Explain all aspects of composition in question, usually flat-based, whether classical or modern painting, painting, composition is an artist first and foremost a means of emotional self-expression, it is the artist and the viewer's visual communication bridge. Composition of modern painting and decorative painting composition is precisely the basic principles of a clear theme, highlighting the main; the pursuit of new ideas, pay attention to layout; black and white, actual situation affordable; composition rigorous, integrated with surprisingly similar.
From Picasso's 1912 painting "amateur Matador" to show the changing colors and visual impression of the structure, its composition but also in the elements involved in traditional painting, multi-use vertical lines show an upward trend, combined with the acute triangle to show screen and sharp sense of tension. We can see a clear theme on the composition, precise, complete and unified. Dutch painter Piet Mondrian style, in his "form" in the use of thick black lines to separate rectangles and squares, in order to unify and control the painting can be seen in the grid composition, may seem simple, practical on a very rational arrangement in the shape and color the state of being perfectly balanced. This composition reached a unspeakable and full of profound meaning of simple performance, and this is the kind of people look at the Mondrian can not forget the very simple and very strong painting, composition on a clear theme, highlighting the main. Ranging from black edge if they had included a perfect order, so we feel they are the world as a whole, and generate sustained interest, integrity and unity of his work, trying to think of something to provide an inherent stability, with the outside world material completely unrelated.
Second, the shape of modern Western painting decorative beauty
Painting is the emphasis on shape, especially the shape of decorative painting. Art Deco shape roughly as follows: a planar shape; over two comprehensive modeling point of view; three shadow shape modeling; four linear shape. From the modeling point of view of language, emphasizing the simple, general, purification of looks, the image processing requirements for concise, attention to detail portrayed. Put the art of modern Western painting to evoke the attention of art itself, openly admitted that some restrictions on the media painting - graphic ######, two-dimensional plane toward the decorative style of development, has become an inevitable trend, the use of line shape is also become a painter of the period are keen way.
Cubism is the most famous volume broken down into three-dimensional geometry implied the plane. Picasso and Bo Lake plane techniques to create a polyhedron to a more subtle way to connect their human superficial space, and objects into the screen space, objective images or disappear or just through occasional clues to suggest . Cubism, or whether it is their intention to present the results from their point of view, are the decisive breakthrough in the traditional arts is the art of painting to abstract, graphic development is an important stage. If the cubist painting is also a bit superficial residual space, Constructivism and the supremacy of the two-dimensional space exploration is more thorough, more pure. We wrote in Van Doesburg Manifesto composition is evident. The Declaration has six main views, which the third: the screen must be completely pure form of the elements of composition, that is, plane and color. Throughout the history of modern art, supremacy was the most radical break with tradition. Supremacy requires abandon all illusion, the eradication of three-dimensional space. A supremacist geometric elements do not work the volume, do not create in-depth plane. Malevich's space and later New York School of Jackson Pollock's space is the same flat, two-dimensional.
Artists are keen to screen in the flat shape, while artists began to try to regroup in the frame lines, linear modeling is also unannounced. Painting from the re-combination lines than satisfied - the former party lines Rafael skilled and accurate grasp and use - the curve of melody Secession Klimt, Schiele chilling lines - Fauvism Henri Matisse's painting lies in the purpose of appreciation of form and color lines, no other desire - Kandinsky painting as the pure combination of form, color line, and to pour them all emotional. We can see that modern Western painting home the importance of the line, not ugly outlet in the modern Western painting in the decorative beauty.
Third, the color of modern Western painting decorative beauty
In modern Western painting of the space can be simplified, to the plane of the process, another important medium of painting - color also appears simple and general trends, along with decorative painting color characteristics. Decorative color is the color in the sketch on the basis of a high degree of generalization, refined, summarized, focus, exaggeration, the change out of the color, it comes from life, but life is more intense than the more simple, more full of subjective feelings. With the general color is different is that it is not light color, ambient color, natural color restrictions, can be flexibly deployed, the natural color sensation to the rational, to make colors more idealistic. Decorative painting color with a clear and essential characteristics of the color clear, pure color characteristics. It focused on the formal beauty of the natural landscape of color.
The pursuit of pure colors of the decorative effect, contrast, pure, clear-cut effect is another characteristic of modern Western painting. Post-Impressionist painter Vincent van Gogh have changed color to a deep bright tone, with coarse lines and vibrant colors to express all his thinking, hope, compassion and sorrow. Nabi decorative painting school Vial with color instead of realistic performance, the large color gamut Ping Tu and impressionistic stippling school. Beast word, specifically bright, daub, higher than its color, Van Gogh's expressive color, more than the kind of direct color, more intense deformation. Fauvism painters are widely used rough subject matter, strong colors, to celebrate the qualities of intense expression, relying on structural principles, regardless of size, objects and lighting, using color instead of perspective. Henri Matisse's "Dance" is a typical representative. "Harmony in Red" pay more attention to the decorative sense of color and
Simplistic, the screen using a large number of pure red paint. It is artists such as Xi Nieke fascinated by complementary color, complementary color on the theory of knowledge, which in some occasions led to the use of certain colors, strong colors of the decoration reflects the strong, strong and full. Kandinsky color characteristics of the pigment is a strong feeling it in his autobiography, wrote: "We called the existence of these separate colors, each of which alone there, with the independence necessary to further the characteristics of . ready to submit to new combinations, in which the mix to create endless new world. "

Fourth, the modern Western painting in the form of decorative beauty
Decorative painting, plastic arts more attention than any other form itself. In a way, the performance is often the formal beauty of its contents, especially those decorative abstract paintings. Rhythm and rhythm, contrast and harmony constitute the main laws of formal beauty. The modern Western painting is a kind of "formalism" is to "form" and "form" of art. From the famous painter Cezanne, Van Gogh, Picasso, Ray East, Klee, Duchamp and other works described, we viewers are content
Easy to see that their emphasis on formal beauty.
Rhythm and rhythm is the soul of decorative painting, from the screen in the same rhythm of factors produced by continuous or repeated sense of movement. Rhythm refers to the screen transforms, twists and turns of the flavor and rhythm of relationships. Post-Impressionist painter Paul Cezanne's work, in pursuit of the nature of the structure of the object, its solid,Oil Paintings, flexible row group pen, meaning a kind of concise and firm shape the power savings, neat order, beauty and harmony of the rhythm of beauty. Duchamp used in this piece of high-speed photography to break down a similar motion pictures work "under the stairs ########## No.2", the rhythm of movement to try to break down. In Van Gogh's works, we can see everywhere repeated strokes a huge burst of tension and jumping flying notes, he used emotion to drive the brush, draw a thick wavy line or water vortex-like rotating the long term. In his famous work "Sunflower" in the monotonous and run the brush strokes and rich color of the formation of a full change in the image of late Ke commented: "... flying strokes filled the screen, in a limited area in the squeeze between numerous strokes , showing the moving air and swirling flowers, mature sunflower seeds fall full Chendian texture. "contrast emphasizes the differences are, harmony emphasis on mutual approximation. The contrast highlights the characteristics of each, giving a clear, strong, positive feeling, resulting in a strong visual impact, the harmony of the screen can give comfort, relaxation, a sense of tranquility, so that the viewer should not have aesthetic fatigue. Ray East in his work, "the Russian Mi Phillips" in coordination with adjacent color screen, just like the music of Variations, comfortable and harmonious picture effect, works of visual artists of music portrayed in Greek mythology, the death of singer Eerpusi , showing love for music artists. Klee, "Daisy" screen with a simple geometric combination of warm color tone, color of uniform impact on the screen, the screen on a background of red and orange cover, a symbol of wilderness in bloom on the Chrysanthemum, Chrysanthemum background and pre-geometry, such as the wizard like a wonderful magic, a little flash of pure, well-being, Reiki. As the formal beauty of modern Western painting known as the "king of instruments" of the piano, with a rich resonant sound, tone, both play a few scales alone, but also the beauty of the melody can be wonderful.
Modern Western oil painting and the decorative arts, as is attention to art appreciation. It builds on the historical relics of the decorative arts, Oriental art and arts and crafts, nutrition, and thus began the formation of the painting style, and its development process is constantly seeking "new" demand "change" process, it is the highest purpose of creation is to provide people happy to give people peace. Decorative beauty is an important feature of thought, ideas and important aspects of emotional expression, the pursuit of decorative beauty of traditional form and composition of relations rebellion, but also the content and the concept of rebellion is a manifestation of its materialization. But modern Western painting and decoration of the combination, in order to have more room for development, must be open on the subject, the performance of content should be closely linked with the spirit of the times, in order to fit the new era of people's aesthetic needs.