Einstein's theory has undergone the test of time

(Editor: sammy)
life has not owed us anything, it is not necessary always hard with a straight face. Grateful response to life, at least, it gives us life, gave us survive.

smile is an attitude to life, with wealth,moncler femme, status,Christian Louboutin pas cher, circumstances are not necessarily linked. A rich man may be worried all day, while a poor may feel happy: a disabled man may frankly optimistic; a situation may be smooth or woman who may be a meeting in bad times with a smile ... ...

a person's emotional environment, it is quite normal, but you suffer with a straight face, a Kutaichoushen look,franklin et marshall, the situation will not be any change, on the contrary, if the smile to live,franklin and marshall, that would increase the affinity, others more willing to contact with you, will get more opportunities.

people who only have in mind the sun to feel the reality of the sun,polo ralph lauren homme, if you even often bitter with a straight face, that life is beautiful? Life is always a mirror shine is our image, when we cry, living in the cry, when we smile, life is also smiling.

smile from the heart, reasonable manner, neither the weak fool, nor a strong form of flattery. Smile when flattery is a ######## smile, and the mask will not last long, if given the chance, they would removed the mask, revealing the original features.

smile without a purpose, whether it is superior, or on guard, that same smile, the smile is respect for others, is also the respect for life. A smile is a will be more.

misinterpreted by others in the post, you can choose anger, you can also choose a smile, often smiling strength will be greater, because the smile will shake each other's hearts, exposed open-minded tolerance for each other feel small, ugly .

Qingzheziqing, voiced by self-cloud. Sometimes too much to explain, dispute is not necessary. For those who deliberately provocative, deliberately denigrate the people, to give him a smile and let the rest of the time to prove something good.

year, it was everywhere that Einstein's theory was wrong and said joint testimony hundred scientists, Einstein knew this, just a touch of smiled and said, hundred ? To so many people? I'm really wrong as long as proof that a person will come forward line.

Einstein's theory has undergone the test of time, and those who allows the beat of a smile.

smile from the heart, can not disguise. Maintain the Setbacks and failures in life, there is some misunderstanding, it is quite normal, to life in a smooth, then the hearts of the first obstacles should be removed. Real love is smile, know how to love, will not be mediocre.

smile is the best card in life, who do not want people with an optimistic make friends? Smile, give yourself a confidence, but also give people a confidence in order to better stimulate the potential.

smile is the best language between friends, a spontaneous smile, worth a thousand words, whether it is first met Ye Hao, Ye Hao met a long time, smiling to narrow the distance between people , among others feel warm.

Smiling is a self-cultivation, and is a very important accomplishment, the real smile is friendly, encouraging, is warm. People who really know how to smile, always easy to get more opportunities than others, always easy to be successful.


TAG Tags: smile, grateful for cultivation
相关的主题文章：


collection card

happiness grow old Red is still

seems to repeat the monotonous life no fun


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."